Bartley Pasir Ris Church
29 July 2000
I hear I forget, I see I remember, I do I
understand.
Drama breaks us away from “mind only”
& passive (non-physical) studies.
Lecture,
top-down, imparting knowledge is not necessarily teaching, To experience a
lesson, getting the body and emotions involved is helpful in creating real, and
lasting understanding.
Scripture is full of drama and Jesus was a
master storyteller…
If
we are his followers, let’s learn to follow him in this too!
Today we hope to accomplish 4 things:
1. Learn some techniques for developing
confidence and creativity.
2. Practice some acting excercises.
3. Learn some about acting
4. Try out some examples of using Drama
with kids
Break
into 2-3 groups. Who will work together for the afternoon.
(Kindergarten
teachers/Children’s Workers/Both)
- WARM-UP Sign-In onto 2 stickers:
you name on one, and the name of a famous personal hero on the other. When
most people have arrived put stickers on their backs and explain the
guessing game. Ask Yes or No questions to find out who you are.
Prayer – to the Creator God.
- INTRODUCTIONS (15 minutes) (confidence in public
speaking, communicating your passion) Besides
telling us who you are, tell us the name you wish you’d been given
(why?), and how old you feel this afternoon.
- TAG TEAM STORY (listening, sharpens
quick thinking skills): Going around the circle, embellish a well known
Bible story (Noah & the Ark, Jonah, a story you’ve told recently in
class). “Once upon a time…” You can stop and start in the middle of
sentences, and pass the story to the next person. Try to keep the rhythm
of the story going without pauses, and keep it interesting and lively.
- THE MIRROR (listening with eyes and
ears, getting comfortable making a fool of yourself by being physical,
stretching creativity muscles) Object lesson: You must watch, pay
attention and know your partner just like we must keep our eyes focused on
Jesus. Hebrews 12:2
- THE MACHINE: In teaching the “one
another’s” of the New Testament, the importance of all members of the
team/body of Christ. Listening with
more than the ears…being observant is an important part of
listening.
- CREATING CHARACTERS THE WAY YOU WALK (in
a circle) show me …shy,… silly,… athletic,… old, … scared, …
injured,… clumsy,…. Ballerina,…
being followed,… proud,…robot,… tightrope,… in a hurry,… casual, … THE
WAY YOU TALK, Say this line after I tell you one of the characters: “Oh,
I’ll give it a try, but I’m not an actor you know!” Now say it again
with one of these emotions: Surprised…in agony…nervous…giggling…out of
breath…sleepy…extremely excited…hurt feelings… angry… scared…embarrassed…
stage fright… eager…
- WORSHIP SONG TIE-INS
Think in teams of favourite Worship songs.
Are they suitable for acting out? Are they the spiritual answers to a typical
life problem. Think of that problem with the following exercise, improv it with
the children.
IN A…WITH A…Using cards/slips of paper everyone write
a PLACE, a PROBLEM, and a CHARACTER, RELATIONSHIP TO THE OTHER, ATTITUDE TO THE
OTHER on separate pieces. We will draw them to try out improvisations.
- FAVOURITE CHILDREN’S
STORY/NURSERY RHYME/BIBLE STORY
- Sound Effects Only, acted out first using
noisemakers, & sounds, then read (Three Little Bears, The Wind
That Obeyed vol. 1, p 98; ,
- Listen to Music (3 times) and come up
with a story to act out.
- Story Theatre: Narrator can say the
character lines and allow child playing that part to repeat the line, or
stop, and let the children fill in -- if it is a well known story, or a
rhyming word.
- Each child in a row takes
an action: Captain Hook, p 18;
- Says a Line repeatedly: The
Little Red Hen,
Act
out the story: The Man Who Helped vol. 2 p 102; Peanut Butter
Sandwich, p 84)
- Audience Participation (The Little Blue
Engine, Can I Have a Stegasaurus Mom? Turn off the Light, p 81,
Simon and His Boat)
· Tableaux (The Boys and Girls and Jesus, Matthew 19:13-15, Mark 10:13-16, Luke
18:15-17; Too
Little Zaccheus,
vol.1 p 6)
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